'Godlike Harmony' is the brand name of a set of cheap Chinese artist brushes I have. I love the name, for the way it infers smooth progress across paper and creative flow; that slipstream to a wonderful place where time relinquishes its hold and everything is animated and in dynamic relationship.
You notice from this place that connections previously unperceived become visible, extraordinary new meanings emerge via their strange and unpredictable juxtaposition. All assumptions are up for review. Perhaps this approaches 'beginners mind'; it is undeniably an opening to the energy of the unconscious.
This is the central experience of art making for me - getting into the 'zone' where I can 'play', working with the elements I've assembled - surrendering the narrative that I've followed closely during the hunt for the individual objects, extracting them from their original context and eventually allowing them to come to rest on the surface of the paper, finding their own right and true location within the structure of the image.
This is the way I can 'collaborate' with the universe; making images that, in a moment of exposure, define the energy of the world.
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